TELL
A bedroom desk under a lamp at night, a corkboard of pinned cards above it, a man writing one of the cards by hand.

Every chapter opens with two lines.

Four acts. The two lines under each title are the author’s epigraph for that chapter, copied exactly.

Act one

The Open Book

Sam cannot read anybody. By the end of these seven chapters he can, and the first thing he does with it is ruin a man who was only frightened.

Act two

Clusters

One signal is never enough. Every chapter here offers a confident answer first and the rest of the cluster afterwards.

Act three

The Mask

The bill arrives while he is busy elsewhere. His best friend has been carrying something for most of the book, at home, where nothing ever prompts you to look.

Act four

The Payment

No new ways of seeing. The last two faculties are stances rather than sight, because the ending has to be his and cannot be handed to him.

The shape of it

Chapter two and chapter twenty-eight open on the same line and part on the second. That is the shape of the whole book, and it is set down in the epigraphs above before any of it happens.

Play chapter oneHow a reading works

Twenty-eight chapters are finished. The first one is open.